a Taj MuttHall Dog Diary: art
Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Friday, August 20, 2021

Getting Ready to Write -- Fiction

SUMMARY: Beforehand it's research but, like,  fun!
(Started in a comment on an artist's post about an image he created.)

1860s cowboys or cavalry?
More photos of dress from that era
In a private group, an artist posted a style sheet for a character in his [wild-west-magical-realism] graphic novel--the man's appearance, every angle, every expression in which he had drawn him. He adds another sketch to it every time he draws some other angle or expression or clothing view.

I liked seeing that. 

It startlingly echoed the for-fun fan fiction (FFFF?) project I'm working on that takes place in the 1860s-'80s "wild west" using characters, names, and tropes from the original author of a trilogy (which I talked about a little here), intermingled with true history and familiar tropes of wild-west time and place.  In other words, fan fiction/historical fiction that gives verisimilitude to both universes that readers of either might recognize and yet is different from both. 

I'm a writer, not an artist particularly but, like [the artist], I need to decide--before plunging into writing--who and what will be in the story, what they look like and their backstory, whether a  person or a town.

So I'm up to my eyeballs in [internet] research on what real cowboys really wore during that time and gold- and silver-rush mining Colorado (and other areas up and down the Rockies) mining towns when they start up and then after a few years, and from among the images, descriptions, and explanations, I need to pick what style goes with each character or location.  I can also invent anything about anyone or anyplace, but this is supposed to be a "short" for-fun fiction so I don't want to have to invent very much but I also don't want it to take place in the author's original time and place nor in the actual wild west (if there ever was such a thing).

What the previously nonexistent Virginia City looked like
in 1867, seven years after the discovery there of the Comstock Lode.

And then 10 years later at its peak of estimated 25,000 residents.
Fifteen years after that, the population had dropped to 6,000. 
40 years later, about 600. About there it has been ever since.

In other words, this is an Alternate Universe of the American west and ditto of the original books.

And of course I track what people and towns and buildings and landscapes look like; I don't want Billy to accidentally have green eyes somewhere where they've been blue all along (not that kind of story: no magic). 

I'm sharing this info with an artist who came up with a single idea and location and set of characters (same wild west/original fiction) and is creating a painting of it.  I'm building the story around that, but we are currently going back and forth on what the artist's vision is and how I want to work with it, so it's important to record and share details. He's even given me a floorplan layout of the building in which his particular scene in the story takes place--which is extremely cool, because then I don't have to invent a layout myself and try to remember it.

I've shared wayyyyyy more details than he probably wants, although he says it's fascinating and he never expected he'd learn so much from doing a one-off image for fun.

My point was: I have a lot of text notes about clothing choices--style and color and how they wear them--hair styles, attitudes towards others and each other,  where they're from originally so how they talk--likely mostly the same sort of thing that [an artist goes] through. 

I won't have actual sketches, but I do track how I expect they'll react in certain situations and how that would be expressed in body, face, and gestures. It's fun.  BUT it's also fun because I'm reusing the original author's fully realized characters, so I don't have to invent most of this.

And I think I'm within a day or two of starting to spew story onto the [digital] page. I already know more or less where I want it to go, but I can't keep saying, "he made his way through waist-high shrubbery"--I want to know what kind of vegetation is actually out there where he'll be riding. Oh, I know, sage brush and all that, but of course that's not true everywhere. So much easier to know these things before I start putting sentences and scenes in writing than to go back later and fill in a lot of [insert here some appropriate river name between uh... [sometown1] and [sometown2]].

Our deadline is October. I've barely ever done any collaborating historically, and this *is* for fun, so I'm trying to remain relaxed about it.

Hey, [in my online post to the original artist] I think I just wrote myself a rough draft of a blog post. 

Instead of actually writing on the story...?!?!



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Town images: See them on Wikipedia at Virginia City, Nevada and Deadwood, South Dakota. Click each image for source details.
Cowboy image: Is currently on a Pinterest board, so I hope it doesn't go away...  I have saved an actual copy just in case.



Deadwood, S.D.,  the year someone discovered gold there.
These towns were not like we see them in Westerns. Muddy, grubby, horse manure everywhere...


Tuesday, July 13, 2021

Keeping My Young Self Off the Streets and Out of the Gutter

SUMMARY: Or: What creative things did I do?
Backfill: from a FB discussion July 11, 2021

A friend posted: 

"What time-consuming but creative thing did you do as a child/teen?" She gave the example of her daughter and friends creating a mystery movie, complete with dramatic cuts, etc.  And of her own childhood where she harmonized with herself using two tape players, and also created fake interviews where the answers were all lines from songs (sourcing from a phonograph with records!)

So, other than practicing my flute, taking flute lessons, practicing some more, being in the band, and sometimes playing just for the fun of it -- oh, and choir, too-- here's a quick [maybe] summary.  

(I've posted some of these photos before.)

  • Drew.
    part of a colored-pencil picture

  • Crafted things. Anything. Clay, paper, glue, beads, jewelry...)

  • Painted or colored by numbers (mostly of dogs but also The Monkees).
  • Painted and assembled models of World War I aircraft.
  • Role-playing with friends; you know: cowboys and Indians  (or bad guys), superheroes, pirates, army...
  • Art Club in junior high. (High school was too full of band, choir, speech and debate, drama club and involvement in performances (as long as that was available) and creative writing club.)
  • Sewed.
  • Wrote tiny bits of short stories. Mostly never finished any until I started making a serious effort late in high school, I think.

(In 4th  grade, got a bad grade on one paper where the assignment was to write about “if I were president“ because I went all nonsense, letting my imagination run wild as a fourth grader who wasn’t very happy with that particular class. (I never said anything about the teacher. I did say that I would do away with all schools. A long long time before I heard “hey, teacher, leave those kids alone!“) She said, "that's a bit silly, isn't it?"  I thought, well, duh... (although "duh" wasn't invented yet). Funny: after that, she became the school librarian instead of a teacher, and she was a wonderful wonderful elementary school librarian! My other teachers usually loved my writing.)

I still love doing all those things. But then, you know, photography, dog agility, blogging, facebook, ...

What time-consuming but creative thing did you do as a child/teen?

Years after, remnants of a shirt I sewed as a HS sophomore.

Ceramic trivets, jr. high

Late elementary school years -- I painted this computer, complete with little lights (or pushbuttons) and maybe blinking displays for Bad and Good?  I had actually seen a tape drive.
(The box, which Dad built for us, is not distorted; that's a trick of the angle and the lighting.)


High school I think.

'90s era

What I've mostly concentrated on in the 2000s: My photography.


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Ellen - note to self -- there's an HTML comment embedded from here XX to here xx.
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Thursday, July 02, 2020

Erasing

SUMMARY: Chip is complete--
Text mostly from Facebook posted July 2, 2020

Erasing.

You might work for years on a piece of art or a piece of writing, scribbling in the margins, sketching in the shape with pencil, trying little colors or different words. And then suddenly--sometimes without warning--you realize it’s done. So you erase all the extra pencil marks, print a fresh copy of the manuscript with no markup in the margins. Erasing.

So many pencil lines never completed, blank areas never filled
(No idea when I drew this. Intending to fill it in completely--and then suddenly stopped.)

That Monday morning that I took Chip in for his blood test and still didn’t know what was about to land on us, I got home to discover that his leash had dragged behind my car on the freeway at 65 mph for about 15 miles. I don’t recall that ever happening before. The handle became quite filthy. I don’t believe in omens, but clearly this was an omen. I didn't know it then. The next day I learned. I learned.




Two days later--the day after Chip left us--when I took Zorro out for a walk, looking at the leash, a knife of memory said, this leash belonged to Boost, who died early of cancer. And now it belongs to Chip, who died early of cancer. I love it, because I love blue and I love Paisley, but with that realization, it hurts every time I look at it. It is retiring. I will wash it and put it in a box with the other extra leashes for extra dogs. Maybe to use again someday. Or maybe I’ll never be able to resurrect that one.

I bought Zorro a brand new leash today that matches his coat. And that reflects light like joy.

Chip is a completed work of art now. I’ll erase all the bits I don’t want to see. That aren’t needed any more. That break my heart.




Friday, August 03, 2018

Going to the Fair Ain't What She Used To Be

SUMMARY: With occasional appearances of Mr Fox No.12.

I loved visiting the county fair when I was younger. Miles and miles of livestock from the tiniest decorative chickens or rabbits to the largest long-horn cattle and draft horses.

Food vendors of myriad confections, from cotton candy to pepper steak to garlic fries (and ice cream!) and everything in between.

Winners and participants of nonlivestock competitions: Saliva-inducing canned goods, perfectly hand-stitched clothing, rainbows of quilts, woodworking, metalworking, photography, people's carefully curated collections of curiosities, table-setting examples.

Hawkers of fantabulous whoozitzes and whatnots that you might not see anywhere else.  And of course the carnival rides and games, gleaming, glistening, shining, glowing, in a thousand colors at day and oh so much at night. 


The Santa Clara County fairgrounds used to have a field/racetrack/grandstand, too, that drew crowds for whatever was going on at any given hour.

But--probably largely through receding interest as the agricultural Valley of Heart's Delight became Silicon Valley--the fair gradually became a shadow of its former self. Wasn't helped along by management who decided to raze the grandstand/field and all of the livestock buildings and facilities some years back, and then couldn't come up with any sort of replacement that was acceptable to the neighbors or general residents of Santa Clara County.


But--we went briefly yesterday anyway. The entry arch is the same one that has been there as long as I can remember.

Yesterday was LGBTQ day/night at the fair, as they try to draw in new audiences. So there were a lot of rainbows to put us in a cheery mood. It was a good start but didn't last long and was spotty the rest of the time.



We weren't thrilled with the entrance, even. So I'll start by complaining, apologies--it gets better (I think). We went yesterday because the fair's web page said $1 entrance all day Thursday. When we got there, it wasn't, and when I got home, their page no longer said that.

And they had the entrance very poorly laid out: Big sign pointing to "Entrance" which was a long maze of fences set up to contain a huge line (no line when we got there), and as we headed through towards the end of that, we saw people coming back in our direction and discovered that the ticket booth sat  *outside* the maze even thought it was right next to the far end of the maze where the ticket takers were. So we had to walk back along that maze (neither of us feeling physically at our best), then walk back down alongside it to get tickets, then walk back out alongside it again and all the way through it again, so I wasn't feeling charitable before we even got inside. I wasn't grumpy enough to ask one of the guards to just move part of the fence for us to walk through--wish I had. Oh, well.

OK, mostly I won't complain more; I'll just be wistful as we go.

Mr Fox No.12 came along but didn't have much to say. He said he thought that speech was generally free in the U.S. of A. but based on the condition of this location, it seems to be a little under attack, he said. He stayed low in case of sudden mass shootings in the area.



Once inside,  you betcha we spotted this right away.


We sat on a bench in the shade--it was warm, not super-hot, but my delicious but drippy dipped cone called for sitting and ice creaming and talking.

Next up: The large animal building (not a barn--those are long gone. This is a repurposed building that used to hold other exhibits and vendors). We walked through, but all the lanes between rows were closed and most of the animals were tied up facing the other way or sleeping on the far side of the pens, so that was quick and dull.

No.12 says that he saw more interesting sheep than these up in Oregon and Idaho, he says. He did scare one into moving suddenly, though, when he tried to jump off my neck when i leaned forward to take a photo. He thought that was pretty entertaining.


What sheep do when their neighbor kicks sawdust in their face.  [Nothing, apparently. Maybe he was keeping an eye on Mr Fox. Made me smile, though.]


Be glad your neck wrinkles aren't like these.


[Dangity ding dong, I just realized that all of my photos have Mr Fox No.12's signature on them because I neglected to turn that off in my smallification dialog. Darn it.]

Pretty much all the sheep, goats, and pigs that we saw looked more like this: Plump and sleepy and uninterested in giving us photo ops. Didn't they get the memo?!


Here, all the animals were projects of 4H or FFA or the like, so they were also educational projects, meaning that educational info put together by the kids lined the pens.  Perhaps without much proofreading.  But I always learn something.


This is pretty much what all the cattle looked like to us.


A quick glimpse along the pig row of the large animal building. Those are exhibitors in the middle; we couldn't walk through there.



I'm definitely sad when I go these days because it's even less than a shell of what it used to be. Don't know whether that was entirely inevitable or as a result of management over the last decade or two. This is the main entry plaza, first thing you go through. Bare.  Not many vendors of any kind anywhere.

(My sister, an avid Society for Creative Anachronism member, said that they used to provide demos of fighting and other medieval activities here in this plaza until they realized that, even on Saturday and Sunday, their group made up about half of the people actually in the plaza.)


The "competitions" hall held the usual remnants of what used to be huge displays of photos, collections, table settings, crafts, sewing, canned goods, etc. Some nice things still, and I like looking at them.  But I sure wish there were more.  Everything done pretty much by youth (K-12), now, not much in the way for adults to participate in. There are some delightfully talented young people out there, though, and that always bodes well for the future, I think.


I did like the socially conscious quilts, including some sections from the AIDS quilt and one beautiful and moving one for the Sandy Hook shooting with the names as part of the quilting. (All but the AIDS quilt also done by "youth".)








And this--





The quilt took me back to the '80s and early '90s, when they were just figuring out what was going on, and there was so much stigma, and so very, very, very many people, particularly here in the San Francisco Bay Area, dying. Frightening times.  I'm so glad that we've made progress on all those fronts.

Read more about the quilt at aidsquilt.org.


(This chart is from the U.S. Food & Drug Administration. My feelings were more of remembering how hard the times were back then, viewed now from a distance, and relief that things got better. Still not perfect, but so much better.)

(My fair-going friend points out that things might not be as much better as they appear.)



So--back to the fair in general: Just a few of the things in the competition hall (which was also pretty sparse), but some beautiful items to regard. Look how that honey glows!


This is a painted gourd. (For exhibit only, not in competition.) "Miniature Garden Gourd House on Stump" by Iris Gach.


As a collector of dragons (and some other random things, don't cha know), I've always liked looking at people's personally curated collections at the fair. Like these piggies.




Outside, between the buildings, spray-paint artists were hard at work. How DO they do that directly out of spray cans?!
(Wolf. Purple. Love both.  Ooooowwwwwoooooooooo!)



Displays in the other exhibit hall were the now-usual bugs, reptiles, and Dianetics, and not too many of those, either; hall mostly empty.


One part of one of the old exhibit halls was set up as the Wizard's Challenge, which provided giant chess, giant checkers, a bunch of other giant games and toys, and this delightful giant bubbles station.  Dip, pull, and stream, and wowwwwww giant bubbles!  You could even capture a nearby friend in one!





Friend was having miserable back spasms and my hip was none too good, so we didn't stay all that long and didn't see all that much of the fair.   Didn't make it out to the carnival part, although that was our original goal for photos. Supposed to be larger this year, and if it goes well, it'll be back next year. Or, if not, there are other fairs within easy driving distance for future reference.

Instead, we quickly called it a day and headed over to Applebee's for dinner. My salmon and veggies were very good; certainly healthier than anything I'd have eaten at the fairgrounds. And one can't beat the air condition and the great companionship as two old (ahem, barely middle-aged?) friends talk up a storm. We always have things to talk about, and that is just plum wonderful.